As far as ALTer Ego was concerned, Coldplay wasn’t even on the original bill. For one, the Londoners had said that 2015’s A Head Full of Dreams would mark the end of their discography-that is until Everyday Life dropped this past November. Watch Blink-182’s entire performance at iHeartRadio ALTer Ego below.īlink 182 – 1/18/20 – Full Video Ĭoldplay wasn’t quite the same throwback, though their appearance was far more surprising. Be it “Bored to Death” from 2016’s California or tracks from 2019’s NINE, Blink-182 brought the same frenetic, hard-driving energy that’s made them a staple of the alt-rock scene for more than a quarter-century. Instead, founding members Mark Hoppus and Travis Barker have not only filled Tom’s shoes with Alkaline Trio’s Matt Skiba, but added to their catalog of hits with a fun, familiar sound. The San Diego-based trio, though, hasn’t exactly fallen off since Tom DeLonge left for good in 2015. Watch a video of SHAED performing “Melt” at iHeartRadio ALTer Ego below.Īll told, though, the night at The Forum belonged to the more veteran elements of ALTer Ego’s blockbuster lineup.īlink-182 followed up Billie with a string of pop-punk classics-including “The Rock Show,” “What’s My Age Again,” “I Miss You,” “All the Small Things” and “Dammit”-that were all the rage among Gen Xers and Millennials once upon a time. Vincent in one carefully curated package. And though the Washington, D.C.-based band had only about 20 minutes with which to work, the trio of vocalist Chelsea Lee and instrumentalist brothers Max and Spencer Ernst flashed a fullness of sound and spirit with a style that evoked elements of CHVRCHES and St. SHAED, meanwhile, might seem like a relative-unknown if not for their song “Trampoline”, which the wider world would recognize from a MacBook Air commercial dating back to October 2018. Watch Rex Orange County’s full performance at iHeartRadio ALTer Ego below. The 21-year-old and his band offered a fresh, light-hearted blend of indie bedroom pop with a sprinkling of hip hop that, according to his introduction, has drawn over a billion streams to his music. In the former category were Rex Orange County, a self-produced singer/songwriter/multi-instrumentalist from England who’s become popular among much the same demographic subset that has vaulted Billie to superstardom. Watch Billie’s entire performance at iHeartRadio ALTer Ego below.īillie Eilish – 1/18/20 – Full Video Īs big as Billie is, though, her 40-minute set was just the appetizer for a bill that featured up-and-comers and sonic legends amid more than four hours of spellbinding performances. native showed off the brooding voice and mischievous charisma that has not only made her a smash hit with Gen Z but also landed her a gig writing and performing the song for the next James Bond film. With her brother, Finneas O’Connell, leading her backing band, the L.A. The 18-year-old singing sensation presaged her upcoming world tour, which includes three sold-out shows at The Forum, with a romp through her debut album, When We All Fall Asleep, Where Do We Go?, that had the crowd hopping and rocking almost as much as she was on stage. The San Antonio-based media company managed to sell out a 17,505-seat arena in South Los Angeles with ease by serving its audience (and attracting more ear holes) with a lineup that would rival some of iHeartRadio’s most star-studded playlists.Īny great compilation requires a strong star, which is precisely what Billie Eilish provided. The latter of those examples spent the third Saturday of 2020 demonstrating the power of that approach during the third-annual iHeartRadio ALTer Ego event at The Forum in Inglewood, CA. And it’s why media brands in the space-from content sites like Live For Live Music to broadcasting platforms like iHeartRadio-are doing their part to be not just promoters of the live experience, but producers as well. It’s no wonder, then, that concerts and festivals not only remain relevant but have become the lifeblood of a music industry that’s still grappling with the ripple effects of the streaming revolution. There is only so much our magical devices can do to replicate the thumping of bass, the clapping of hands and the energy that fills a building whenever an artist captivates a crowd. For all that modern technology has achieved in connecting us to the people we want to be with, and the places we want to be at, when it comes to music there is still no true substitute for the live experience.
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